The Illusionist came out in the mid 00s. That was back when AndersonVision was moving from hand coding to adapting to the new world of Web 2.0 and junk. It was a heady time when you could make The Pre...
Captain Marvel – 2019’s Marketable Heroine When one begins discussing Captain Marvel, you have to specify who you’re talking about as of now. Older people will think you’re tal...
Glass is the third leg of Shyamalan’s superhero trilogy. While many haven’t been onboard the entire time, I have to admit that M. Night pulled it off. Sure, it took two studios and nearly ...
Incredibles 2 is an incredibly loaded film. But, most of you probably wouldn’t know. The general train of thought coming out of the film has been nostalgia mixed with Jack Jack adoration. Those people...
THE INCREDIBLES 2 REVIEWED “The Incredibles 2” is an incredibly loaded film. But, most of you probably wouldn’t know. The general train of thought coming out of the film has been nos...
S.W.A.T. – SPECIAL EDITION REVIEWED “S.W.A.T.” was indicative of SONY in the early 00s. Let’s adapt a property, make it play for the Inner City and then try to be ironic about ...
THE HITMAN’S BODYGUARD REVIEWED “The Hitman’s Bodyguard” is the very definition of an over-performing August movie. Capitalizing on Samuel L. Jackson and Ryan Reynolds’ c...
XXX: RETURN OF XANDER CAGE REVIEWED “XXX: Return of Xander Cage” shouldn’t have been a surprise. While it’s been a bit since the franchised dominated screens, the kind of audie...
AndersonVision Best Films of 2017: #23 – Kong: Skull Island (Warner Brothers) KONG: SKULL ISLAND REVIEWED “Kong: Skull Island” is love. No, not that love between a man and a find Cuban cig...