“Outlaws always go home,” Maney Gault (Woody Harrelson) observes to his partner, Frank Hamer (Kevin Costner), in The Highwaymen, John Lee Hancock’s intimate but two-fisted look at the aging lawmen’s p...
SOLO REVIEWED “Solo” is a sequel to a prequel, but a prequel to the prequel for the modern sequel trilogy. Once you wrap your mind around that Kirk Lazarus setup, then ponder this? Were Lando and L3 h...
SOLO: A STAR WARS STORY REVIEWED “Solo” is a sequel to a prequel, but a prequel to the prequel for the modern sequel trilogy. Once you wrap your mind around that Kirk Lazarus setup, then p...
AndersonVision Best Films of 2017: #4 – THREE BILLBOARDS OUTSIDE EBBING, MISSOURI (FOX Searchlight) THREE BILLBOARDS OUTSIDE EBBING, MISSOURI REVIEWED “Three Billboards Outside Ebbing, Missouri&...
THE GLASS CASTLE REVIEWED “The Glass Castle” is all over the place. While I wasn’t a big fan of Jeanette Walls’ memoir, I expected that this cast and director could raise the m...
WAR OF THE PLANET OF THE APES REVIEWED “War of the Planet of the Apes” wasn’t much of a war. Hell, it played like “The Searchers” by way of “The Great Escape”...
WILSON REVIEWED “Wilson” is one of my favorite films of 2017. It hits that same itch that I get when watching “American Splendor”. The works of Daniel Clowes hit this shady are...
The adventure-filled past of the iconic scoundrel and everyone’s favorite Wookiee is going before cameras this month when principal photography on the untitled Han Solo Star Wars Story o...
THE EDGE OF SEVENTEEN REVIEWED “The Edge of Seventeen” is a great teen movie. All teen movies should be rated R. The efforts that go into appeasing a base that is too self-absorbed to get material tar...