Ethan Hawke

Daybreakers [4K UHD review]

Daybreakers is a movie that I used to watch a lot. But, then it faded from memory. The concept is neat about vampires having to harvest humans to find a synthetic blood substitute. Playing with concep...

Finally! A Blaze Foley biopic [Review]

Finally! A Blaze Foley biopic. I know that a few readers had questions about the film when it posted in my Top 10 of 2018 last year. Well, here’s the time when I chime in about the little Ethan ...

Lionsgate 4K UHD review: Lord of War, Hellboy Animated, Man on a Ledge

Lord of War Lord of War is better than you remember. That’s not saying much as I’m starting to become convinced that most of the Internet has a 48 month memory at best. Basically, Cage and...

Juliet, Naked (2018)

Juliet, Naked is the latest Nick Hornby adaptation. But, you cry out at me for sounding snippy there. Doesn’t AV Central keep the complete Hornby library in the theater bathroom for easy reading...

FIRST REFORMED

FIRST REFORMED REVIEWED “First Reformed” is probably the best film about hope released in the last few years. Sorry, popcorn cinema kids who can only make it to the theater when Lucasfilm ...

24 HOURS TO LIVE

24 HOURS TO LIVE REVIEWED “24 Hours to Live” has an interesting concept. Ethan Hawke plays an assassin who gets resurrected for 24 hours to avenge his death. From there, the film plays lik...

VALERIAN AND THE CITY OF A THOUSAND PLANETS

VALERIAN AND THE CITY OF A THOUSAND PLANETS REVIEWED “Valerian and the City of a Thousand Planets” wants so hard to be good. Much like Pinocchio, it dances around the cinema screen and wan...

MAGNIFICENT SEVEN, THE (2016)

THE MAGNIFICENT SEVEN REVIEWED “The Magnificent Seven” is a hard film to call original. In fact, it’s one of the few times where the remake is considered to be a legend alongside the...

MAGGIE’S PLAN

MAGGIE’S PLAN REVIEWED “Maggie’s Plan” is the right film to piss off your Right leaning friends. What is it about Gerwig starring features that tends to rile the Conservative’s...

SEYMOUR: AN INTRODUCTION