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RICHARD THE LIONHEART

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FROM THE BACK OF THE BOX:

King Henry II tests the loyalty and honor of his son Richard sending him to a hellish prison. In prison Richard must fight against adversaries representing the virtues of a knight.

FROM THE BACK OF MY BRAIN:

“Richard: The Lionheart” looks like it was shot inside someone’s butt. The movie is aggressively dark and lacks definition in every sense of the word. Taking a smattering of British history and then dressing it up as a Medieval throw down, the film actually makes one dumber. Nothing of any importance happens. Add onto that, the general sense that the film seems like it was shot to be deposited inside of a RedBox machine and forgotten for all times. I thought the death of Blockbuster was going to end this trend of disposable cinema.

Malcolm McDowell deserves better than this. New generations shouldn’t have to be introduced to Mr. McDowell via cellphone commercials. But, I guess that’s just the greater commentary on our society. Old people only have a sense of history and relevance in direction connection to how the youth experiences them. If that’s the case, then they’re never going to watch anything that McDowell ever does again. Being an old prude, I’ll set back with my soon to arrive autographed copy of “Royal Flash”. Since that’s the best thing I can say in tangential reference to this movie, I’ll end there.

The DVD comes with a Digital Copy, featurettes and trailer gallery. The Dolby track holds up for when it actually is deployed. Plus, the less said about the transfer the better. I know that I’m becoming a snob about standard definition, but this might be the ugliest looking DVD of the year. In the end, I can only recommend a rental to the morbidly curious.

RELEASE DATE: OUT NOW!

INSTRUCTIONS NOT INCLUDED

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FROM THE BACK OF THE BOX:

A man who has made a new life for himself and the daughter left on his doorstep 6 years ago finds his family threatened when the birth mother resurfaces.

FROM THE BACK OF MY BRAIN:

“Instructions Not Included” feels like the wake of “Kramer vs. Kramer” comedy clones that filled video stores in the 1980s. The film hops back and forth between English and Spanish, but the material holds up. Basically, single happening dude doesn’t  know what to do with his bastard daughter. Naturally, they spend the next 6 years growing closer together until the evil birth mother returns! How dare she who birthed the co-star show up to reclaim thy progeny!

The crossover appeal for this film is there in spades. It’s goofy funny and the leads are admirable in their performance. The neglectful mother is painted in the light that you might expect, but there’s more to it. This is very much Eugenio Derbez’s movie and I expect this to be the vehicle that starts pushing him deeper into American cinema. He’s already shown up in a few Adam Sandler affairs. That being said, he has the potential to do so much more.

Selling Latino cinema to the American market will slowly become easier over the next decade. That being said, we need more films like this to start opening the floodgate. Linguistics and cultural differences aren’t major handicaps anymore. The material has to be there to support the efforts of an international appeal. That being said, you can still evade the issue and chop stuff out for the Chinese ala Disney. The Blu-Ray comes with a commentary and Digital HD copy. The DTS-HD 5.1 master audio track really stands up for a light comedy. Still, the 1080p transfer had moments of light digital noise. Nothing major, but it was present throughout the film. In the end, I’d recommend a purchase to the curious.

RELEASE DATE: OUT NOW!

COUNTING CARS: SEASON 2 VOLUME 2

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FROM THE BACK OF THE BOX:

In Sin City you gotta know when to hold ’em, but when you’re Counting Cars, you gotta know when to flip ’em. In Season 2 of this smash hit on History, Danny “The Count” Koker and his Las Vegas-based crew continue to find, restore, customize and sell vintage and classic cars and bikes – turning funky into fabulous. Join Danny and the crew as they work around the clock to restore Bob Marley’s last car for son Ziggy Marley in time for a record release event, and as they customize a 1967 Ford for musician Rob Zombie for his summer tour just a week away. From a psychedelic motorcycle to a dream chopper dedicated to a customer’s mother to a retired couple’s restored truck, the Kustoms team fulfills clients’ dreams and sometimes even moves them to tears. Danny discovers a collection of the most rare Cadillacs he’s ever seen and also visits the world’s most exclusive car collection for a client. See why, once you’ve found this series, you won’t flip it.

FROM THE BACK OF MY BRAIN:

“Counting Cars” returns with the second half of its second season. Basically, it’s the same sort of shilly promotions with a few cars from locals specifically chosen to be on the show. Then, we get the latest celebrity to stop through Las Vegas and some scripted antics push that shit along. Fie on those that actually believe this schlock is real. But, sometimes it’s fun to watch and see what gets created.

Basically, it’s the Pawn Stars attitude with people who possess a degree of skill. But, that level of skill has been spread out to multiple shows on cable television. What makes one car customizing company different from another? The guys on Discovery Channel got to do a whole Smokey and the Bandit thing, so that makes them cooler.

The DVD comes with footage never seen before on TV. The A/V Quality is typical with a flat Dolby 2.0 track and standard definition transfer. It’s on par with watching a basic recording off of a DVR. That being said, it’s not like the History Channel HD broadcast was that much better. In the end, I’d recommend a purchase to fans.

RELEASE DATE: OUT NOW!

CROSSING LINES: SEASON ONE

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FROM THE BACK OF THE BOX:

A special crime unit investigates serialized crimes that cross over European borders and to hunt down criminals to bring them to justice. A global FBI is born.

FROM THE BACK OF MY BRAIN:

“Crossing Lines” looks expensive and it’s on NBC. Naturally, that’s not a good mix for television longevity. Basically, it’s a global FBI show without any regard for international law. It exists in that place that used to allow for cop shows to do whatever they want in the name of making it cool. But, cool passed by the guys running this show. If anything, it exists at this paper thing attempt at capitalizing on Older America’s love of the NCIS.

Donald Sutherland and company offer up something that reads like Law & Order: French Press Unit on paper. It’s not bad, it’s just one of those series that you keep watching and wondering why it exists. Then, you show it to one of your parents and they’re glad that the old guy from “Klute” is working again. They love him and his son from the “24”. A little part of you dies, but then you get sucked in by the narrow focus of the material. It’s like you returned to your childhood and someone else controls the remote.

But, what else can I say? It’s a short first season and it doesn’t exactly capture my attention. I could say the same for a ton of new television material out there. However, that doesn’t make this a bad show. The Blu-Ray comes with a behind-the-scenes featurette. The DTS-HD 5.1 master audio track is strong enough. However, the 1080p transfer was much clearer than I remembered seeing on the NBC HD broadcast. That has to be a first. In the end, I’d recommend a purchase to the curious.

RELEASE DATE: 01/21/2014

TITUS (TWILIGHT TIME LIMITED EDITION OF 3000)

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A LITTLE BACKGROUND:

This film is an adaptation of the Shakespeare play “Titus Andronicus.” Titus returns victorious from war, only to plant the seeds of future turmoil for himself and his family. Who says revenge is sweet?

WE CAME, WE SAW, WE SPENT $30:

Twilight Time has become a bit of a flashpoint for most Blu-Ray enthusiasts. People whine about the price point, but they realize that the native studios weren’t ever going to do much with the titles that they are forking over. It’s a different economy and different era. The blind buy is slowly dying for physical media, as kids are hopping on their iTunes and the digital platforms to download whatever they want. Unfortunately, this means the latest and greatest releases. Older titles get shuffled to the dirt, while we can only get re-releases of the overexposed genre bastions of the last few decades. As I try to catch my breath, you might ask what this means for “Titus”?

Well, Titus has arrived as part of the limited edition Blu-Ray line from Twilight Time. Those that know the film appreciate director Julie Taymor’s first theatrical effort and note her experimental filming style. Taymor has made the original story so interesting for those of us that don’t read Shakespeare for his pie baking scenes. It’s a classic tale of vengeance which helps to widen the appeal. That being said, it’s an aggressively visual movie. When I first heard it was coming to Blu-Ray, I expected to be dazzled by similar HD presentations as on the “Frida” and “The Tempest” Blu-Ray releases.

Much has been made of the A/V Quality presented on this disc. While Taymor does experiment with film stock, that can account for a small portion of the digital noise on the disc. However, I spent the last two days comparing this release to its DVD equivalent that I picked up circa 2001. At best, it resembles an upconverted SD transfer. It isn’t terrible, but I can understand why so many consumers are quick to jump to arms over the issue. Price points for older titles will always be a sore point for most enthusiasts and the slightest bumps they see are going to set them off. Couple that with the fact that reviews were limited to non-existent prior to disc release, it rubbed a ton of people the wrong way. At least, the DTS-HD 5.1 master audio track is superb.

The Blu-Ray comes with an isolated score track, documentary, featurettes, trailers and TV spots. It’s a pretty packed release from Twilight Time. I have to say that the Goldenthal isolated track won the day for me. If you can look past the issues with the transfer, you’re going to enjoy the disc. That being said, the continued push to have so many consumers fly blind into purchases for these titles needs to be addressed. Sure, no one is making these people buy the titles, but they need some assurance that they’re not going to get an under par product.

RELEASE DATE: OUT NOW!

TITUS can be purchased here:

http://www1.screenarchives.com/title_detail.cfm?ID=26554

DEVIL’S PASS

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FROM THE BACK OF THE BOX:

Five young filmmakers retrace the steps of a doomed group of hikers in pursuit of an unsolvable mystery.

FROM THE BACK OF MY BRAIN:

Renny Harlin made a found footage movie. The problem was that it was a fan-film knock-off of “The Blair Witch Project”. Hell, they even had pretty strong knock-offs of that original trio. Gemma Atkinson is the only one that I recognize in the cast, but I feel like I’m mistaking her for someone else. Take that for what you will.

“Devil’s Pass” is Harlin’s attempt to reconnect to his horror roots. The Dyatlov Pass Incident provides for enough background to provide scares in the terrifying Russian side. The problem is that it keeps going “Blair Witch”, when it should be a little more “Descent”. No one cares about retracing true tragedy, as much as they want to see people get mangled and body parts to fly around. Viewers want to bullshit themselves and suggest otherwise, but box office results say that’s crap.

But, what does that mean for Harlin? Well, not a whole lot. Harlin’s gonna work on whatever he gets hired to do, The Exorcist prequel showed off that he’ll work for a paycheck. Is that the worst thing for a creative talent anymore? Not everyone is going to be Ozu or even Jack Hill. I just want to see the talents from my childhood/early teens doing better work. Harlin crafted my first look at Freddy Krueger, he shouldn’t have to be settling for this crap.

The DVD comes with a director’s commentary, deleted scenes, featurette and a trailer. The A/V Quality is pretty strong with a crisp Dolby 5.1 surround track. The transfer is pretty flat, even for standard definition. Still, I could tell what was going down. In the end, I’d recommend a purchase to the curious.

RELEASE DATE: OUT NOW!