Thursday, January 23, 2025
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Wizard Actor Has Another Digital Comics Role – Featured Slideshow Post

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“Simon Doe has his tongue planted in his cheek as he describes the
fictional skills of his advancing agent.”

Steve Kowalsky

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Salt of the Earth (1954) [Limited Edition Blu-ray review]

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Salt of the Earth, the controversial 1954 labor drama directed by Herbert J. Biberman, is a film that occupies a unique and essential place in the history of American cinema. Produced independently by a group of blacklisted Hollywood professionals and Mexican-American miners, the film faced enormous obstacles and opposition during its production and initial release, but has since been recognized as a groundbreaking work of social realism and a powerful portrait of the struggle for workers’ rights and racial equality.

Now, thanks to a stunning new Blu-ray release from Film Masters, this once-suppressed masterpiece can finally be seen and appreciated by a new generation of film lovers, in a transfer that captures all the grit, passion, and raw emotional power of its unforgettable story and performances.

Salt of the Earth (1954) [Limited Edition Blu-ray review] 1

Salt of the Earth was controversial

The film, which was written by Michael Wilson and produced by Paul Jarrico, tells the story of a long and difficult strike by Mexican-American zinc miners in New Mexico, who are fighting for better working conditions, higher wages, and an end to the racist discrimination they face from their Anglo bosses. The story centers on Ramon Quintero (Juan Chacón), a miner and family man who becomes a leader in the strike, and his wife Esperanza (Rosaura Revueltas), who becomes increasingly involved in the struggle as the conflict drags on.

As the strike intensifies and the miners face increasing violence and intimidation from the bosses and their hired thugs, Ramon and Esperanza’s relationship is tested, as they grapple with issues of gender roles, family responsibilities, and the competing demands of the union and their personal lives. At the same time, Salt of the Earth also explores the wider social and political context of the strike, from the miners’ alliance with Anglo union organizers to the role of the women in the community, who become increasingly active in the struggle as the men are jailed or driven from their homes.

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Quite an early entry in Mexican American cinema

Shot on location in New Mexico with a cast that included both professional actors and real-life miners and their families, Salt of the Earth is a film of rare authenticity and power, a work of art that blurs the line between fiction and documentary in its depiction of the struggles and triumphs of working-class people.

From its opening scenes, which depict the brutal conditions in the mines and the casual racism of the bosses, to its unforgettable climax, in which the women of the community take over the picket line and face down the armed guards, Salt of the Earth is a masterclass in social realism, a work that manages to be both politically urgent and emotionally resonant at the same time.

Central to the Salt of the Earth’s power are the performances of its cast, many of whom were non-professional actors drawn from the ranks of the miners and their families.

Juan Chacón, who plays Ramon, was a real-life union leader and miner who brings a sense of lived experience and authenticity to his role, imbuing Ramon with a quiet dignity and strength that is truly inspiring. Rosaura Revueltas, meanwhile, is a revelation as Esperanza, a woman who undergoes a profound transformation over the course of the film, from a shy and submissive housewife to a fierce and determined activist who becomes the heart and soul of the struggle.

The rest of the cast is equally impressive, with standout performances from Will Geer as the sympathetic Anglo union organizer, David Wolfe as the cruel and racist sheriff, and Mervin Williams as the conflicted mine owner who becomes increasingly isolated and paranoid as the strike drags on. Together, they create a vivid and unforgettable portrait of a community in crisis, a group of people who are pushed to the brink by the injustices they face but who ultimately find the strength and solidarity to fight back and demand their rights.

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The movie is really one of a kind

But Salt of the Earth is more than just a powerful story and a showcase for its talented cast. It is also a film of rare visual beauty and artistic integrity, a work that combines the gritty realism of documentaries like The Plow That Broke the Plains with the poetic lyricism of the best of the Italian neorealist movement. The film’s cinematography, by Leonard Stark and Stanley Meredith, is a marvel, capturing the harsh beauty of the New Mexico landscape and the claustrophobic interiors of the mines and the workers’ homes with equal skill and sensitivity.

The film’s editing, by Joan Laird and Herbert J. Biberman, is equally impressive, using a variety of techniques, from montage to cross-cutting to dramatic close-ups, to create a sense of urgency and emotional intensity that never lets up. And Salt of the Earth’s score, by Sol Kaplan, is a masterpiece of its kind, using a mix of traditional Mexican folk music and original compositions to create a haunting and evocative soundscape that perfectly captures the mood and tone of the story.

Talking about the Blu-ray

All of these elements come together in Film Masters’ new Blu-ray release, which presents the film in a stunning restoration that captures much of the detail and nuance of its visual and aural design. The transfer is quite strong, with solid contrast, good detail, and a pleasing grayscale that does justice to the film’s naturalistic cinematography. The audio, presented in an uncompressed monaural track, is also very good, with clear, well-balanced dialogue and music that never feels overly compressed or artificial.

While not as packed as a film of such historical importance should be, you do get a hefty amount of special features. There’s a commentary featuring C. Courtney Joyner, Mark Legan and Pheof Sutton. Plus, you get some liner notes. All and all, it’s better than having nothing.

It just makes me wonder if it would make sense to bundle Salt of the Earth with other underseen films of historical importance. But, maybe I ask too much.

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It still holds up

Indeed, watching Salt of the Earth today, it’s impossible not to be struck by how timely and urgent its story and themes remain. In an era of rising inequality, declining union membership, and renewed attacks on workers’ rights and civil liberties, the film’s portrait of a community coming together to demand justice and dignity feels more relevant than ever.

And in a time when issues of race, gender, and class continue to divide and polarize our society, Salt of the Earth’s vision of solidarity and collective action offers a powerful and inspiring example of what is possible when people come together to fight for a common cause.

Of course, it’s important to acknowledge that Salt of the Earth is not a perfect film, and that some of its politics and attitudes may feel dated or simplistic to modern viewers. The film’s portrayal of gender roles, in particular, can feel a bit essentialist at times, with the women of the community often relegated to supporting roles or depicted as symbols of nurturing and domesticity. And the film’s treatment of race, while groundbreaking for its time, may not always hold up to the more nuanced and intersectional analyses of contemporary social justice movements.

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Final thoughts

But these limitations do not diminish the film’s power or importance, nor do they detract from its enduring legacy as a work of art and activism. Salt of the Earth remains a vital and essential document of a pivotal moment in American history, a time when the forces of labor and civil rights were coming together to challenge the entrenched power structures of capitalism and white supremacy.

And it remains a powerful and inspiring example of what can happen when artists and activists come together to tell stories that matter, stories that speak truth to power and give voice to the struggles and dreams of ordinary people.

In the end, that is perhaps the greatest legacy of Salt of the Earth, and the reason why it continues to resonate with audiences more than six decades after its initial release. It is a film that reminds us of the power of art to change hearts and minds, to inspire us to action and to imagine a better world. And it is a film that challenges us to continue the fight for justice and equality, to stand up for the rights of workers and the oppressed, and to never give up on the dream of a society that values the dignity and humanity of all its members.

For that reason, Salt of the Earth is more than just a great film, more than just a groundbreaking work of social realism and political activism. It is a call to action, a demand for change, and a reminder of the enduring power of solidarity and collective struggle. And thanks to Film Masters’ admirable new Blu-ray release, it is a film that will continue to inspire and challenge viewers for generations to come.

Salt of the Earth is now available on Blu-ray at Movie Zyng and other outlets

Salt of the Earth (1954) [Limited Edition Blu-ray review] 11
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The Blood Ship (1927) [Blu-ray review]

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The Blood Ship, a 1927 silent adventure film directed by George B. Seitz, is a rousing tale of mutiny, romance, and redemption on the high seas. Long unavailable in a high-quality home video format, this thrilling classic has been given new life thanks to a stunning new Blu-ray release from SONY. It’s stunning to see a major studio dive back into their early outings.

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Let’s talk silent cinema

Based on the 1922 novel of the same name by Norman Springer, The Blood Ship tells the story of Jim “Shanghai” Shreve (Richard Arlen), a tough but kindhearted sailor who signs on as first mate of the Mary Archer, a merchant ship captained by the sadistic and tyrannical Captain Swope (George Bancroft). Determined to put an end to Swope’s reign of terror, Jim enlists the help of the ship’s crew, including the beautiful and mysterious Ruby (Jacqueline Logan), to stage a mutiny and take control of the vessel.

But their troubles are far from over, as they soon find themselves pursued by a rival ship helmed by the ruthless Captain Pete “The Knifer” Crance (Fred Kohler), who will stop at nothing to claim the Mary Archer and its cargo for himself. As tensions mount and loyalties are tested, Jim and his crew must fight for their lives in a thrilling climax that will leave audiences on the edge of their seats.

People love boats even The Blood Ship

From its opening scenes, The Blood Ship establishes itself as a top-notch adventure yarn, with Seitz’s confident direction and the cast’s strong performances lending the film an air of gritty realism and immediacy. Arlen, who would go on to become a major star in the early sound era, is particularly impressive as Jim, imbuing the character with a sense of rugged charm and quiet authority that makes him instantly likable and relatable.

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Bancroft, meanwhile, is a revelation as the sadistic Captain Swope, his piercing eyes and cruel sneer conveying a sense of barely contained menace that threatens to boil over at any moment. The scenes between Arlen and Bancroft are among the film’s most electric, with the two actors playing off each other with a sense of coiled intensity that ratchets up the tension to almost unbearable levels.

It just looks amazing

But it’s not just the performances that make The Blood Ship such a thrilling ride. The film’s stunning cinematography, by John Stumar and Silvano Balboni, is a marvel of the silent era, with the camera capturing the rough-hewn beauty of the ship and the open sea in a way that feels both poetic and immersive. The film’s action scenes, too, are remarkably well-staged, with Seitz employing a variety of innovative camera angles and editing techniques to create a sense of excitement and danger that still feels fresh and visceral nearly a century later.

Of course, none of this would matter much if the film’s story and characters weren’t up to snuff, but thankfully, The Blood Ship delivers on that front as well. While the basic plot is a fairly standard mutiny narrative, the film’s script (adapted by Douglas Z. Doty and Fred Stanley from Springer’s novel) adds enough twists and turns to keep things interesting, with a number of surprising revelations and character beats that help to keep the audience engaged and invested.

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They had women back in the 1920s. Pretty cool, huh?

One of the film’s most intriguing aspects is its portrayal of Ruby, played with a mix of toughness and vulnerability by Jacqueline Logan. While Ruby initially seems like little more than a love interest for Jim, the film gradually reveals her to be a complex and multifaceted character with her own agenda and motivations. Logan’s performance is a standout, imbuing Ruby with a sense of mystery and allure that keeps the audience guessing until the very end.

The Blood Ship also benefits from a strong supporting cast, with Fred Kohler making a memorable impression as the vicious Captain Crance and Matthew Betz adding a touch of comic relief as the ship’s bumbling but well-meaning cook. The film’s portrayal of life on the high seas is also remarkably authentic, with Seitz and his crew going to great lengths to capture the rough-and-tumble world of merchant sailing in all its gritty, unglamorous detail.

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Quick talk about the Blu-ray

All of this is beautifully captured in SONY’s new Blu-ray release, which presents the film in a stunning 4K restoration that looks as if it could have been shot yesterday. The level of detail and clarity on display is truly remarkable, with every line and crease on the actors’ faces and every plank and rope on the ship rendered in stunning high definition. The film’s tinting and toning, used to convey different moods and times of day, has also been lovingly restored, giving the film a rich, almost painterly quality that feels true to its silent-era roots.

The disc’s audio presentation is equally impressive, with a new score by composer Stephen Horne that perfectly captures the film’s rousing, adventurous spirit. Horne’s music, performed on a variety of traditional instruments including piano, accordion, and flute, is a delight from start to finish, highlighting the film’s emotional beats and action scenes with a deft touch that never feels intrusive or overpowering.

SONY’s Blu-ray doesn’t include any special features. But, it’s quite the release for a seemingly forgotten film.

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Enjoy the silence

Ultimately, The Blood Ship is a thrilling and beautifully crafted adventure that deserves to be seen by a wider audience. Thanks to SONY’s impeccable Blu-ray release, this long-overlooked classic can finally take its rightful place alongside the great silent films of its era, with a level of visual and aural clarity that makes it feel as fresh and immediate as if it were made yesterday.

For fans of silent cinema, The Blood Ship is an essential addition to any collection, a rousing and emotionally resonant tale of adventure and redemption that showcases the medium at its finest. But even for those who may be new to the world of silent film, The Blood Ship is a revelation, a timeless story of courage and camaraderie that speaks to the human spirit in a way that transcends language and era.

In a world where so many classic films are in danger of being lost or forgotten, releases like this one are a vital reminder of the enduring power and importance of cinema as an art form. By bringing films like The Blood Ship back to life in such stunning detail and clarity, Flicker Alley and other boutique distributors are not only preserving our cultural heritage, but also introducing new generations to the wonders of the silent era and beyond.

So whether you’re a die-hard silent film aficionado or simply a lover of great storytelling and filmmaking craft, The Blood Ship is a must-see, a thrilling and emotionally resonant adventure that showcases the very best of what the medium has to offer. With its stunning visuals, powerful performances, and timeless themes of loyalty, courage, and the unbreakable bonds of friendship, The Blood Ship is a classic in every sense of the word, and one that will continue to captivate and inspire audiences for generations to come.

The Blood Ship is now available on Blu-ray at MovieZyng and other outlets

The Blood Ship (1927) [Blu-ray review] 23
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For Your Consideration (2006) [Warner Archive Blu-ray review]

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For Your Consideration, Christopher Guest’s 2006 satirical mockumentary skewering the absurdities of Hollywood’s awards season, arrived on Blu-ray in 2024 from Warner Archive. While it may lack the same devoted cult following as some of Guest’s most iconic ensemble comedies like This Is Spinal Tap or Best in Show, this biting send-up of the film industry’s propensity to devour its own in the mad pursuit of Oscar gold remains one of his most underrated and increasingly relevant works.

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This doesn’t go to 11, more like 7.5

Assembling his usual repertory company of gifted improvisers, including Catherine O’Hara, Harry Shearer, Eugene Levy, Fred Willard, and Parker Posey, Guest takes aim at the insidious machinery of awards season buzz, presaging how much the internet and social media have warped that process in the years since. While it may sacrifice some of the warmth and affection Guest clearly holds for his lovable oddballs in films like Waiting for Guffman and A Mighty Wind, For Your Consideration makes up for it with a lacerating specificity, tapping into the narcissism and desperation that fuel the annual gladiatorial contest for Hollywood’s shiniest trophies.

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For Your Consideration really got forgotten post Best in Show

I remember when For Your Consideration arrived in theaters and I think most expected a different movie. Mind you, this was an era before The Office and other mockumentary style shows dominated everything. Hell, Arrested Development treaded in this ground too early and got struck down. While my personal Christopher Guest favorite A Mighty Wind predated For Your Consideration, it feels like a lot of his movies needed angle. A comedy about a niche production about a niche segment of Hollywood doesn’t feel strong enough to carry a feature film. Even with this cast.

While Posey, O’Hara, Shearer and Levy get their moments…there is this undercurrent of forcing a B narrative that doesn’t quite fit. I get it was 2006 and the trope wasn’t so overplayed, but most of America doesn’t give a shit about Hollywood and its industry competitions. I say this as the Academy Awards nominations approach, but it still holds true. It’s possible to have interest in the proceedings from a historical standpoint, but it requires a lot of a mainstream audience to care.

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Christopher Guest isn’t for everyone

Young people really don’t dig Christopher Guest, but I guess that’s due to everyone stuffing the mockumentary format down their throat. So many forget how in the 00s, it was rather fresh and interesting. More people associated it with Guest’s style and less with every other sitcom NBC forced to air. But, that’s the rub with studying cinema, you have to look at it as a complete timeline. Thankfully, For Your Consideration gets a fun little time capsule in this Blu-ray. Although, most of the special features are ports over from the old Blu-ray.

Back to the movie for a moment, even the movie in a movie concept is really thin. It’s a wartime look at Southern Jews coming together for a religious Holiday. I know that we’re in the waning days of inclusivity existing in America, but the appeal of the central story that every other story in this film draws its collective power is paper thin.

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Final thoughts and Blu-ray talk

And yet, for all its cynicism, there is a strange sort of hope that underlines For Your Consideration’s bleak vision of Hollywood. In the film’s final moments, as Marilyn sits alone in her dressing room after the final indignity of the awards season has been visited upon her, there is a sense that even in the face of such overwhelming emptiness and artifice, the desire to create something meaningful and authentic still endures.

It’s this belief in the power of art to transcend the machinations of commerce and celebrity that ultimately makes For Your Consideration such a powerful and enduring work. And now, thanks to its new Blu-ray release from the Warner Archive Collection, viewers can experience that power in stunning high definition, with a wealth of bonus features that offer new insights into the film’s production and legacy.

Chief among these is a newly-recorded audio commentary track featuring Christopher Guest and Eugene Levy, who co-wrote the film’s screenplay. The track is a treasure trove of insights into the film’s production, with Guest and Levy offering fascinating anecdotes about everything from the casting process to the challenges of crafting such a biting satire of an industry that they have both worked in for decades.

For Your Consideration is now available on Blu-ray from Warner Archive at MovieZyng and many outlets

For Your Consideration (2006) [Warner Archive Blu-ray review] 33
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Last Christmas (2019) [4K UHD Review]

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Last Christmas, Paul Feig’s 2019 holiday romantic comedy inspired by the music of George Michael, arrived on Blu-ray in 2020 with little fanfare. Coming on the heels of a muted theatrical run, the film seemed destined to be remembered as little more than a seasonal footnote, another disposable entry in the ever-growing canon of Christmas-themed rom-coms.

But as is so often the case with films that fail to find their audiences in theaters, Last Christmas proves surprisingly rich and rewarding on closer inspection. Anchored by a winning performance from Emilia Clarke and a script that deftly balances holiday whimsy with real emotional stakes, Feig’s film emerges as one of the most satisfying and emotionally resonant romantic comedies in recent memory. Now it’s on 4K UHD, so let’s dust off a recent Holiday favorite with Last Christmas.

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Let’s talk about Last Christmas

The story follows Kate (Clarke), a struggling London singer moonlighting as an elf in a year-round Christmas shop. Still reeling from a serious illness that derailed her personal and professional life, Kate is prone to making bad decisions and alienating her loved ones, much to the chagrin of her overbearing Yugoslavian mother (Emma Thompson, who also co-wrote the screenplay).

Enter Tom (Henry Golding), a charming and enigmatic stranger who takes an interest in Kate and begins to break down her cynical defenses. As the two embark on a whirlwind romance across London’s holiday landscape, Kate begins to confront her self-destructive patterns and rediscover her passion for life and music.

From its elevator pitch, Last Christmas could easily be dismissed as just another formulaic entry in the crowded holiday rom-com canon. But Feig and Thompson’s script proves surprisingly nuanced in its handling of its characters’ emotional journeys, lending the film’s central romance a weight and specificity that transcends its generic trappings.

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It’s the one Christmas movie that people haven’t ran into the ground yet

Much of this is due to Clarke’s winning performance as Kate, which strikes a delicate balance between comic self-effacement and genuine vulnerability. As a young woman struggling to find her place in the world after a life-altering health crisis, Clarke imbues Kate with a specificity and depth of feeling that elevates the character beyond the usual rom-com archetypes.

Golding, fresh off his breakout turn in Crazy Rich Asians, proves an equally charming and enigmatic romantic foil. With his effortless charisma and soulful eyes, Golding sells Tom’s unlikely role as Kate’s guardian angel, even as the film maintains a coy ambiguity about the nature of his character’s existence.

But it’s Thompson who nearly steals the show as Kate’s mother Petra, a Yugoslav immigrant grappling with her own sense of displacement and loss. In a film full of winning supporting turns (including Michelle Yeoh as Kate’s exasperated boss), Thompson brings a specificity and emotional grounding to the character that helps to anchor the film’s more whimsical flourishes.

Indeed, one of Last Christmas’s greatest strengths is its ability to balance its more heightened romantic comedy elements with a grounded sense of place and character. Feig, a master of observational humor, fills the film with sharply drawn details about Kate’s life as a struggling artist in London, from her cramped flat to her thankless day job in the Christmas shop.

The film’s script also proves surprisingly deft in its handling of the cultural specificity of Kate’s family background. As the daughter of Yugoslav immigrants, Kate grapples with a sense of otherness and displacement that feels refreshingly authentic, even as the film avoids reducing her family’s experiences to cheap stereotypes.

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George Michael has lost a step with the youth

But of course, no discussion of Last Christmas would be complete without a mention of its central conceit: the integration of George Michael’s music into the fabric of the story. On paper, the idea of building a romantic comedy around the song catalog of the late Wham! frontman might seem like little more than a cynical cash grab. But in practice, Feig and Thompson prove surprisingly adept at weaving Michael’s songs into the emotional landscape of the film, using them as a kind of Greek chorus to comment on and deepen the characters’ journeys.

From the opening strains of “Last Christmas” to the film’s climactic rendition of “Heal the Pain,” Michael’s music proves an unexpectedly poignant and effective emotional throughline. The film’s use of “Praying for Time” as a recurring motif is particularly effective, lending the story a sense of melancholy and loss that helps to ground its more whimsical elements.

Of course, Last Christmas is not a perfect film. Some of its plot developments strain credulity, and its third-act reveal relies on a twist that will be familiar to anyone versed in the tropes of holiday rom-coms. But Feig and Thompson’s script proves surprisingly deft at integrating these more formulaic elements into the larger emotional landscape of the story, using them as a means of deepening and complicating Kate’s journey rather than simply serving as cheap narrative trickery.

And in the end, it’s this emotional sincerity that sets Last Christmas apart from so many of its peers in the crowded holiday rom-com canon. By grounding its characters in a specific sense of place and history, and by refusing to sand off the rough edges of their experiences in pursuit of easy sentiment, the film emerges as a genuinely moving and resonant exploration of love, loss, and the search for meaning in a chaotic world.

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Last Christmas on 4K UHD for the first time

Last Christmas makes its 4K UHD debut courtesy of Universal Pictures Home Entertainment, and the results are generally strong. The film’s 2160p transfer captures the warm, inviting glow of its holiday-themed cinematography, with a rich and detailed image that highlights the film’s painstaking recreation of London’s Christmas landscape.

Colors are vibrant and well-saturated throughout, from the garish reds and greens of the Christmas shop to the more muted tones of Kate’s everyday life. Black levels are deep and inky, with minimal crush, and skin tones appear natural and lifelike.

The film’s Dolby Atmos audio track is equally impressive, with a dynamic and immersive mix that highlights both the film’s festive soundscape and its George Michael-centric soundtrack. Dialogue is crisp and clear throughout, with no noticeable issues with intelligibility or balance.

In terms of bonus features, Last Christmas offers a solid if unspectacular selection of supplements. The highlight is a feature-length commentary track with director Paul Feig, who proves an engaging and informative guide to the film’s production. Feig speaks at length about the challenges of integrating George Michael’s music into the fabric of the story, as well as the process of crafting the film’s emotional arc in collaboration with co-writer Emma Thompson.

Also included is a short making-of featurette that offers a behind-the-scenes look at the film’s production, as well as a selection of deleted scenes and alternate takes. While none of these extras are particularly groundbreaking, they offer a welcome glimpse into the creative process behind the film and the collaborative spirit that fueled its production.

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Final thoughts on Last Christmas

Looking back on Last Christmas a year after its release, it’s hard not to feel a sense of disappointment at its muted reception. In a crowded holiday movie landscape dominated by formulaic Hallmark Channel retreads and cynical cash grabs, Feig and Thompson’s film emerges as a genuine outlier: a romantic comedy that dares to ground its characters in a specific sense of place and history, and to grapple with the complexities of love and loss in a way that feels both authentic and deeply moving.

Much of this is due to the film’s central performances, which elevate the material beyond its more formulaic trappings. Clarke in particular proves a revelation, delivering a performance of such warmth and vulnerability that it’s hard not to be won over by her character’s journey. Golding, too, brings a sense of mystery and depth to his role as Tom, hinting at the character’s enigmatic nature without tipping his hand too early.

But it’s the film’s script that emerges as its true secret weapon, deftly balancing the demands of its romantic comedy framework with a grounded sense of emotional stakes. By refusing to sand off the rough edges of its characters’ experiences – from Kate’s health crisis to her family’s immigrant background – Last Christmas achieves a rare sense of authenticity that sets it apart from so many of its peers.

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And then, of course, there’s the music. While the idea of building a romantic comedy around the songs of George Michael might have seemed like a gimmick on paper, in practice it emerges as one of the film’s greatest strengths. By carefully selecting songs that speak to the emotional arc of the story – from the melancholy yearning of “Praying for Time” to the hard-won hope of “Heal the Pain” – Feig and Thompson achieve a rare sense of synergy between music and narrative that elevates the film beyond the sum of its parts.

The result is a film that feels both timeless and distinctly of the moment – a holiday rom-com that dares to grapple with the complexities of life and love in a way that feels both authentic and deeply moving. While it may not have found the audience it deserved in theaters, Last Christmas proves more than worthy of rediscovery on 4K UHD – a charming, heartfelt gem that reminds us of the enduring power of love and human connection in a chaotic world.

Last Christmas is now available on 4K UHD at MovieZyng and other outlets

Last Christmas (2019) [4K UHD Review] 47
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Dark Secrets Surface in The Sand Castle, Debuting on Netflix January 24, 2025

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Netflix has dropped the trailer for The Sand Castle, a gripping mystery thriller arriving January 24, 2025. Directed by Emmy nominee Matty Brown, the film follows Yasmine (Nadine Labaki) and her husband Nabil (Ziad Bakri), who, along with their children (Zain Al Rafeea and Riman Al Rafeea), become stranded on a picturesque island. As hopes of rescue fade, tensions mount and a buried family secret threatens to unravel everything.

Cut off from civilization, the family tries to keep Jana, their youngest child, from learning the painful truth they harbor. But day by day, their facade cracks, and the line between reality and fiction blurs. While trapped in paradise, each decision carries weighty consequences that will determine whether the family’s bonds hold—or break.

Dark Secrets Surface in The Sand Castle, Debuting on Netflix January 24, 2025 49
Sand Castle. Cr. Courtesy of Netflix © 2024

Witness a haunting exploration of family, fear, and survival when The Sand Castle premieres January 24, only on Netflix.

Clone Cops Hits Theaters & Digital January 31

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Freestyle Digital Media is unveiling the sci-fi action comedy Clone Cops, directed by Danny Dones in his feature debut. This campy adventure sees a future where outlaws are hunted by a lethal new product: a disposable police force cloned in a lab and programmed for violence. Audiences can catch Clone Cops in select theaters or watch via Cable VOD and Digital HD starting January 31.

What is Clone Cops?

In a not-so-distant era, a ragtag gang of outlaws goes toe-to-toe with waves of clone lawmen, only to discover a shocking twist about their own identities and the forces they’re fighting. It’s equal parts sci-fi, action, and comedy, with nods to 1980s influences and the vibrant energy of comic book and video game culture.

Clone Cops Hits Theaters & Digital January 31 51
Clone Cops Movie Stills_1 – A gang a Clone Cops led by actor Phillip Cordell take aim. Photo Credit: Corey Allen

Release Info

  • Theatrical Openings (Jan 31 for a week-long run):
    • Los Angeles – Laemmle Glendale
    • New York City – Stuart Cinema & Cafe
    • Nashville – Malco Smyrna Cinema
  • VOD & Digital (Jan 31):
    • Rent or own via Cable VOD and Digital HD on Apple TV, Prime Video, Fandango at Home, and more.

Quote from Danny Dones:
“We made this movie for people who love campy sci-fi comedies. Now, we can finally bring this weird little indie flick to people’s living rooms!”

Why Watch

Clone Cops dishes up a mix of humor, futuristic action, and nostalgic nods to classic 80’s sci-fi. If you crave creative world-building, wild gadgetry, and tongue-in-cheek thrills, mark your calendars for January 31 and get ready to join the fight against a most unusual police force.