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THE SPIDER PROJECT: CHAPTER 5 – HOW DR. CONNORS GOT HIS ARM BACK
Preface:
Most of this material was originally written in the Summer of 2012. Due to matters outside of my control and various maneuvers, these segments had to be completely re-edited and recut to meet certain legal guidelines. Now, you finally get to see them.
CHAPTER 5:
How Dr. Connors Got His Arm Back
“The Amazing Spider-Man” is set for release this July and a new generation of Spidey fans are going to be introduce to the Lizard. But, before we can get too excited over the monster, we have to understand the man. Dr. Curt Connors is a GI medic who had to have his arm amputated after a bombing blast. Feeling like he needed to use his scientific know-how to reclaim his lost limb, Connors teamed up with his buddy Dr. Ted Sallis (Man-Thing) to create a regenerative formula. The formula worked, however the use of reptilian DNA made Connors turn into the green monster that we all know.
Spider-Man first encountered Connors/Lizard after he was challenged to investigate the wild claims being made about the creature near Coral Gables, Florida. For the first handful of appearances, The Lizard and Spidey fought and Connors was cured. Eventually, Connors relocated to NYC because that is the hub of all reality in the Marvel Universe. The Lizard continued to fight Spider-Man and the original X-Men, while Connors saved Aunt May and did some pretty noble stuff. It was an interesting parallel, but there was something bubbling under the surface.
Dr. Curt Connors has been a dual figure for Peter Parker. Much in the way that Norman Osborn and Dr. Otto Octavius functioned. All three characters were masters of science and achieved the things that young Parker wanted for himself. More importantly, Connors was a family man who craved the structure that Peter lost when Uncle Ben died. Needless to say, Peter naturally gravitated to the Doctor as a fatherly mentor figure for the next few decades. Peter would spent most of the 70s and early 80s serving as Connors’ lab assistant alongside such notables as Debra Whitman.
But, something happened around the time of the first Secret Wars. Years were spent with villains using Connors’ son Billy as a means to lure the Lizard out and eventually it led to the dissolution of Connors’ family. Peter watched as his mentor began to break and we saw the Lizard transformations shift into something far more savage. The Connors personality would spent the next 20 years become more permeable, as Connors started to slip into the background.
First his wife died from cancer due to exposure to hazardous chemicals. Later, Connors lost custody of his son after experimenting on him. Then, Connors finally snapped and killed Calypso (Haitian devotee of Kraven the Hunter) after she had been trying to take over his mind for years. Connors was becoming more and more savage, until he finally let go. Unfortunately, this meant giving his Lizard the mental ability and desire to eat his son & the kid’s new foster family.
The Connors family has never been stable post Connors’ powers. But, he got his arm back while being a monster. I’m not sure if Stan Lee and Steve Ditko were trying to make sense of this neogenic bargain, but there we go. Paul Jenkins and later writers have tried to make the argument that Connors was always in control while being The Lizard. I don’t buy that, as it puts Connors in a negative light for the duration of his creation. I do buy his attempts to go straight and try to bring his family back together. However, he was a victim of the dark and gritty comics at the time.
So many people forget that when Todd McFarlane was blowing up the charts, The Lizard was the main villain of the Spider-Man arc that he used to make his nut. The drooling, sharp teeth and desire to crouch and linger all became McFarlane trademarks. In that sense, The Lizard became the monster he was always destined to become. Frankenstein’s Monster wasn’t evil, but he had the power to lash out when he finally gave into his bestial nature. Much the same can be said for Connors.
What ultimately matters about The Lizard is that he’s one of many cautionary tales for Spider-Man. Unlike other heroes, Spidey is always walking that line between goofy webslinger and six-armed monstrosity that is trying to hide from sunlight. Connors shared the same interests and goals as Spider-Man, but we can’t ever pin down what went wrong. We know nothing of Connors’ life prior to his arm losing accident. Plus, we can’t say that if Spider-Man would’ve mutated into a giant spider…would he not have done the same things? No one can really pin down on how they will respond in a given situation until they’re in it.
The closest that Spider-Man came was having six arms for a few issues, but Dr. Connors helped him out of that with the aid of Morbius’s venom. Those are some rather bizarre monster movies parallels. Unfortunately, we’re not going to have the time to really touch upon Morbius. Let me put it this way. Science based Greek Vampire who really doesn’t want to drink human blood. The guy can’t keep a series afloat for more than a year. Blah, blah, back to The Lizard.
Mentor, father, walking bag of scales; the guy is interesting if you discount Rhys Ifans’ performance in the 2012 movie. However, he misses out on a key factor that we’re going to bring up in future chapters. Stay tuned, as we try to finally put this project to bed.
IT’S TIME FOR A TICKET GIVEAWAY! GET YOUR “ALL IS LOST” ON!
Academy Award® winner Robert Redford stars in All Is Lost, an open-water thriller about one man’s battle for survival against the elements after his sailboat is destroyed at sea. But with the sun unrelenting, sharks circling and his meager supplies dwindling, the ever-resourceful sailor soon finds himself staring his mortality in the face.
Written and directed by Academy Award nominee J.C. Chandor (Margin Call) with a musical score by Alex Ebert (Edward Sharpe and the Magnetic Zeros), All Is Lost is a gripping, visceral and powerfully moving tribute to ingenuity and resilience.
All Is Lost opens in NY and LA October 18, nationwide October 25th.
“OFF THE SCALE BRILLIANT”
– Emma Pritchard Jones. THE HUFFINGTON POST“ROBERT REDFORD DELIVERS A TOUR DE FORCE PERFORMANCE”
– Pete Hammond. DEADLINEThe rules and regulations:
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DIVING BOARD, THE (ELTON JOHN)
Order The Diving Board: http://smarturl.it/TDBamzn
Elton John’s Official Profiles: http://www.eltonjohn.com/
https://twitter.com/eltonjohndotcom
https://www.facebook.com/EltonJohn
WHAT’S ON THE DISC?
Elton John’s The Diving Board, is his first studio album in seven years Produced by T Bone Burnett, the album features 12 new songs written by Elton and his longtime lyricist Bernie Taupin, as well as three piano interludes composed by the artist.
The Diving Board returns Elton John to the piano, bass and drums lineup that marked the artist s introduction to worldwide audiences more than 40 years ago. As Elton explains, In many ways, I feel like I’m starting again, making records. Several years ago when beginning to work with T Bone and being in the studio with Leon Russell for The Union, I had to ask myself, What kind of music do I really want to make? , and I realized that I had to go back to go forward again. I needed to strip away the excesses and get back to the core of what I do as an artist. That’s what The Diving Board represents. The Diving Board is the album I’ve been waiting to make for decades. According to producer T Bone Burnett, The Diving Board is an album of music by a master at the peak of his artistic powers.
WHAT WE THOUGHT
“The Diving Board” represents a strong final leg for Elton John’s golden years. While I’m not saying that the guy is going away any time soon, it’s nice to see an artist embrace changing sensibilities that come with age. The initial track “Home Again” didn’t impress me. But, repeat listening sessions allowed the album to grow on me in a way that I wasn’t expecting. I’ll be honest and admit that my preferred John era started in 1972 and ended in 1983. But, we’re not getting “Razor Face” again. We’re getting the portrait of the artist as an old man.
Some fans state that Elton John is finally being true to himself. Well, good on him for that. Now, make some catchy radio friendly tunes. I know that sounds a little wrong, but so much of the album are these long tracks about deeper meaning. We had that period with John and I liked it. I just don’t like positing old stand-bys in modern clothing. John’s better than that.
I like it when an album can make me feel so divisive. While I can’t call it one of my favorites of the year, “The Diving Board” will stick with me for awhile. I like where Elton John has been heading since The Union, it’s just that I’m not sure whether or not if he needs help to get there. T Bone Burnett’s awesome, but maybe we need an extra voice to carry Elton John through those later years?
RELEASE DATE: OUT NOW!
ENTER TO WIN A BLU-RAY COPY OF “PACIFIC RIM”
Go BIG or go EXTINCT!
Directed by Guillermo del Toro, Pacific Rim is an epic science fiction film set in the 2020s. Earth is at war with Kaijus; colossal monsters from an inter-dimensional gateway on the Pacific Ocean floor. Humanity unites to fight these huge monsters by creating the Jaegers: gigantic humanoid robots that are controlled by two pilots whose minds and memories are linked. The story takes place in the later days of the war, following Raleigh Becket, a former Jaeger pilot called out of retirement and paired up with newbie pilot Mako Mori in a final effort to defeat the Kaijus!
Pacific Rim is released on Blu-ray & DVD Oct.15!
1) We’ve got 1 Blu-Ray. We need one winner.
2) ENTER with our new RAFFLECOPTER widget.
a Rafflecopter giveaway3) Winners will be contacted on October 18th.
Each household is only eligible to win 1 Pacific Rim Blu-Ray via blog reviews
and giveaways. Only one entrant per mailing address per giveaway. If you have
won the same prize on another blog, you will not be eligible to win it again.
Winner is subject to eligibility verification.SILVER BELL (PATTY GRIFFIN)
‘Truth #2’ stream: https://soundcloud.com/umesongs/90sec/s-7dynG
Pre-Order Links: http://smarturl.it/SilverBell
Official Sites:
https://www.facebook.com/PattyGriffin
https://twitter.com/PattyGMusic
WHAT’S ON THE DISC?
“Silver Bell” was originally supposed to come out in 2000. I was a casual fan of Patty Griffin back then, but the album still remains firmly entrenched in my memory. I always believed it to be lost, but I knew I would get to hear it some day. The Dixie Chicks and Emmylou Harris are big fans of the lady. I’d follow Emmylou Harris into the depths of Hell, so I figured that I needed to jump on top of this as soon as possible. Needless to say, I was impressed.
WHAT WE THOUGHT
“Silver Bell” has a lot of power behind it. I’m not saying “American Kid” didn’t, but “Silver Bell” is working on another level. You get the loud, you get the soft and most importantly…you get to hear a clear voice stun you out of your seat. I know that fans don’t like to call Griffin Alt-Country, but she’s closer to Wilco and The Byrds than any of the Nashville scene. Hell, the Nashville scene doesn’t sound like Nashville anymore. But, is that a bad thing for a traditional music set to start experimenting with musical stylings and grow?
There is so much to love here, even when Griffin slips back into old standards. The love of the waltz is present throughout the disc. “One More Girl” and “So Long” is a gorgeous one-two punch that makes you thankful that this album is finally getting released. Why did it take me so long to appreciate Griffin? The Muscle Shoals influence is present throughout the last half of the album, so I won’t hold that against it. That being said, it’s pretty amazing. “Silver Bell” is one of my favorite albums of the year.
RELEASE DATE: 10/08/2013