2 mins read


“Year of Spectacular Men” should be a cutesy family affair that is a little too pleased with its own writing. But, it exists as a film about women and family that thrives in spite of its cliches and desire to reach out. But, who is it reaching out to this summer? The men in the film are ancillary characters that barely exist outside of their connection to the central sisters. While it doesn’t matter in the grand scheme of things, it’s an appealing tweak to the familiar rom-com aesthetic.

I almost hesitate to call it a rom-com, because the movie fights hard against that definition. It’s also not quite an auto-biography. Each of the Thompson-Deutch women mine things from their life to bring to the script, the acting and direction. As the years go by, this film will exist as a fascinating curiosity to be studied. How often does a mother and her daughters get to produce a film like this? But, does that make it good?

Well, does it matter? I keep coming back to that, as I try to get a grasp on what appealed to me with this film. How much of the presentation is polite fascination and how much is appreciation for what’s onscreen? I’m a huge Lea Thompson fan and Zoey Deutch has been winning me over. Still, there’s something about Madelyn’s performance that doesn’t gel for me. It’s far from bad, but I don’t feel like there was much brought to the screen.

Such is the danger of mining your personal life for film material. How hard must you project yourself onto the narrative for it to work for dramatic effect? In a 2018 that has redefined the term ‘mixed bag’, I’m appreciating a movie that actually tries to be something bigger than its parts. I highly recommend checking this one out either at the arthouse or on VOD.


  • Not Rated
  • 1 hr and 42 mins
  • MarVista Entertainment



  • 94%
    Film Score - 94%

The Plot Thus Far

Izzy Klein has (barely) graduated from college, broken up (sorta) with her boyfriend, and is stranded in New York City with a bad case of pre-real-world millennial-itis. Unsure of what the next step is, her movie star little sister Sabrina convinces her to move back home to Los Angeles and into her shared apartment with movie star boyfriend Sebastian, where they can keep an eye on rudderless Izzy. Emotionally unable to deal with the loss of her father, and slightly distracted by her mother Deb’s newfound love affair with loopy yogi Amythyst, Izzy funnels her energy into dating a colorful bouquet of five complicated and spectacular men: Aaron, Ross, Logan, Mikey, and Charlie, over the course of the next year. Coping just barely with the help of her trusty notebook, she falls in and out of some not so romantic romances, and figures out that when it totally feels like the end of your story, it’s often just the beginning.


Troy Anderson is the Owner/Editor-in-Chief of AndersonVision. He uses a crack team of unknown heroes to bring you the latest and greatest in Entertainment News.

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