Vick & Tarstar’s Scarecrow Factory Brings DIY Horror Filmmaking Chaos to Digital June 9
Here’s underground horror filmmaking at its most uncompromising: Blood Sick Productions announces the June 9, 2026, Digital Video release of Vick & Tarstar’s Scarecrow Factory. The film follows Vick and Tarstar as they shoot their latest horror movie trash epic Scarecrowed with a cast and crew of punks, drug addicts, fetish models, and dumpster divers. Set back by extra hairy relationship drama, homelessness, lack of funding, and crew members quitting, the duo perseveres to tell their story: with the right bucket, you too can buy your own hair cutting scarecrow made by the animatronic Goo Guys at the Scarecrow Factory.
The Premise
Vick & Tarstar’s Scarecrow Factory documents the glorious chaos of no-budget horror production.
Vick and Tarstar are making Scarecrowed, their latest horror movie trash epic. The production operates at the margins, their cast and crew drawn from punks, drug addicts, fetish models, and dumpster divers—the people who show up when budgets can’t afford professionals and passion substitutes for paychecks.
The obstacles pile up: relationship drama of the “extra hairy” variety, homelessness complicating basic production logistics, funding that doesn’t exist, and crew members who quit when circumstances become untenable. Yet Vick and Tarstar persist.
Their story centers on the Scarecrow Factory, where the animatronic Goo Guys manufacture hair cutting scarecrows available to anyone with the right bucket. The premise embraces the absurdist logic that no-budget horror often requires, commercial pitch becoming nightmare scenario.
The DIY Aesthetic
The film apparently celebrates rather than apologizes for its underground origins.
The “horror movie trash epic” designation signals awareness of the territory Scarecrowed occupies—not prestige horror but the gonzo, handmade, anything-goes filmmaking that operates below industry radar. The cast and crew description positions the production within counterculture, the margins where mainstream entertainment fears to operate.
The obstacles become content rather than merely obstacles. Relationship drama, homelessness, funding gaps, and crew departures presumably play out on screen, the meta-layer of watching filmmakers struggle adding dimension to whatever Scarecrowed itself delivers.
The Scarecrow Factory Mythology
The film-within-the-film apparently builds its own strange world.
The Scarecrow Factory employs the animatronic Goo Guys, entities whose nature presumably becomes clearer during viewing. They manufacture hair cutting scarecrows, agricultural horror meeting barber shop in ways that resist easy explanation.
The “right bucket” requirement for purchase suggests transactional logic that follows dream rules rather than commerce norms. The commercial pitch format—”you too can buy”—positions the factory’s output as consumer product, infomercial horror where the item for sale happens to be nightmare fuel.
The Blood Sick Productions Context
Blood Sick Productions operates in the underground horror space where conventional distribution rules don’t apply.
The production company name signals commitment to genre content that doesn’t sand down its edges for mainstream acceptance. Vick & Tarstar’s Scarecrow Factory presumably fits within a catalog that values transgression, strangeness, and the DIY ethos that independent horror has cultivated since the camcorder era.
The June 9 Digital Video release reaches audiences who know how to find content outside streaming algorithms, the genre fans who seek out distributors and filmmakers operating in spaces major platforms ignore.
The Meta-Horror Framework
The film apparently operates on multiple levels simultaneously.
The primary narrative follows Vick and Tarstar making their film. The secondary narrative is Scarecrowed itself, the horror movie they’re creating. The collision between production chaos and completed content presumably generates both comedy and horror, the real struggles of no-budget filmmaking becoming genre material in their own right.
Watching people make a horror film about scarecrow factories while dealing with homelessness and crew departures creates tonal complexity that straightforward horror can’t achieve. The absurdity compounds: real problems, fake scarecrows, animatronic Goo Guys, and hair cutting as horror element.
Who Should Watch June 9
If underground horror appeals: The production operates exactly where mainstream horror refuses to go.
If DIY filmmaking fascinates you: The obstacles and perseverance of no-budget production become the content itself.
If you appreciate absurdist horror: Hair cutting scarecrows from animatronic Goo Guys suggests logic that follows its own strange rules.
If meta-horror works for you: The film-within-a-film structure adds layers that straightforward genre can’t provide.
If punk ethos in filmmaking resonates: Cast and crew of punks, addicts, fetish models, and dumpster divers signals commitment to outsider production.
June 9 Opens the Factory
Vick & Tarstar’s Scarecrow Factory releases on Digital Video June 9, 2026, from Blood Sick Productions.
A horror movie trash epic in production. Cast and crew from the margins. Relationship drama, homelessness, no funding, quitting crew members. Persistence despite everything.
The Scarecrow Factory. The animatronic Goo Guys. Hair cutting scarecrows. The right bucket.
June 9. The factory is open.
