The Lighthouse is yet another period film about supernatural terror striking among the mundane. So, why does this kind of film strike me warmer than say anything that Ari Aster or his contemporaries h...
Daybreakers is a movie that I used to watch a lot. But, then it faded from memory. The concept is neat about vampires having to harvest humans to find a synthetic blood substitute. Playing with concep...
At Eternity’s Gate alongside The Wife is proving that nobody knows nothing. Two tiny films that hit theaters in off-periods are now lighting up Awards season. What makes this film pop is how it&...
Aquaman is the breakthrough film that the DC Expanded Universe has desperately needed. If we’re going to follow the modern example that Marvel has set, then this is DC’s Iron Man moment. D...
ANIMAL FACTORY REVIEWED “Animal Factory” is a film I saw in an arthouse theater. Seeing the movie get an underground specialty release makes me feel a little old. Basically, the film is a ...
AndersonVision Best Films of 2017: #3 – THE FLORIDA PROJECT (A24) THE FLORIDA PROJECT REVIEWED “The Florida Project” is one of my favorite films of 2017. As someone who spent most of their...
WHAT HAPPENED TO MONDAY? REVIEWED “What Happened to Monday?” is a B movie trying to hide out as a smart movie on Netflix. It’s the kind of future panic films that used to populate Ho...
STREETS OF FIRE REVIEWED “Streets of Fire” finally has its long awaited Collector’s Edition arrive from the kind folks at Scream/Shout Factory. I’ve enjoyed watching this movie...
THE PLOT THUS FAR NYMPHOMANIAC: VOLUME I is the story of Joe (Charlotte Gainsbourg), a self-diagnosed nymphomaniac who is discovered badly beaten in an alley by an older bachelor, Seligman (Ste...