Elio Petri

  • ASSASSIN, THE 1

    ASSASSIN, THE

    THE ASSASSIN REVIEWED “The Assassin” showcases what I love about Elio Petri. Petri’s films focus on seemingly Kafkaesque situations rather than what was popular in Italian cinema. His work on “The Assassin” via Mastroianni showcases an underappreciated aspect of Italian cinema. Basically, the ability to focus on terror of...
  • PROPERTY IS NO LONGER A THEFT 3

    PROPERTY IS NO LONGER A THEFT

    PROPERTY IS NO LONGER A THEFT REVIEWED “Property Is No Longer A Theft” is an argument about petty crime attacking the social order. Property is viewed as a means of changing the social structure of a society, but that it’s artificial. So, that’s the platform on which we meet...