Skinamarink is the current horror movie dividing audiences that hate anything that isn’t a classic franchise from a decade before they were born. But even they start hating those movies because ...
M3gan is proof that the January dump season is officially over. It’s not the deep dive pile of misplaced films that don’t have a dedicated audience. Since COVID killed the modern theater e...
Bad Axe is the kind of documentary that I expected to see a lot more during the Pandemic. Take equal parts PTSD, generational trauma and modern family dynamics and make a compelling look at America in...
Confess, Fletch is the best cover band take on a Chevy Chase humored murder mystery. But, it’s not Chevy and there’s barely a chase. Jon Hamm is an incredible talent. But, sometimes you do...
Elvis 2022 is not just the best Baz Luhrmann film in ages, it’s also the only film that matters this year. Why is that? Hmmm?!? Why would a biopic be the most important film of the year so far? ...
Troy notes: Ari watched Top Gun: Maverick this week in the wonderful ScreenX format. So, enjoy this fun review from one of the many West Coast members of the AV Army. Troy’s review will be live ...
I actually liked Doctor Strange in the Multiverse of Madness. Remember that. Episode 26: The Revenge of the Baby Brained Smooth Skulls Doctor Strange has always been the Marvel character struggling to...
The Twin is the English language debut from Finnish director Taneli Mustonen. While he’s been blowing up on the World scene for the last five years, he’s flying under a lot of radars. Alth...
What can be said about Bruce Wayne that hasn’t been exploited 17 times in the last 33 years? The Batman takes the world back down the path of what happens when you expose a rich kid to murder at...
Take Back The Night is bold in one of the few ways that matters. It bends what you’d expect from a message movie into a genre film with a purpose. Until I saw the trailer, I wasn’t expecti...