Cinema pioneer Dziga Vertov’s controversial 1929 film still pulses with energy, innovation and genius. This landmark silent masterpiece from the Soviet avant-garde director stylishly highlights the buzz of everyday city life (shops, traffic, children, coal miners, nature) as seen through the eyes of a roving cameraman. Many filmic devices are used to comment on vision, life, Marxism and modernity in the Soviet Union.
MURDER ON THE BORDER
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