April 28, 2019
for
March Blu-rays: The Quake, Marquise, Neighbors, Beyond Atlantis, Tyrel
Troy reviews the following today: The Quake, Marquise, Neighbors, Beyond Atlantis, Tyrel
Marquise
Marquise is another one of those broader foreign films that Film Movement is releasing this year. Marquise is a real figure who began life as a street dancer. Eventually, she adopts the name Mademoiselle Du Parc and joins Moliere’s theater troupe. Marquise bewitches King Louis XIV and then finds herself in bed with the playwright Racine. While she becomes a great actress, those she stepped on her way to the top get angry. While it’s quite a lovely movie, it suffers from the same biopic trappings of every similar film like this. Still, I find Sophie Marceau to be one of those talents that never quite got their due in the 1990s.The Quake
The Quake is about how Norway can make a franchise out of natural disasters. People fear that the Quake will destroy Oslo like the one from 1904. Americans end up going to Wikipedia to see if that is true. Rest assured, it is. What about the rest of the movie? If you like foreigners screaming and random lands being destroyed, then this is for you. While I didn’t enjoy it as much as The Wave, the film did do something for me. Due to the film being PG-13, it gave me a foreign movie to help get some of the slowpokes onto the side of Foreign Cinema. Not everything is Bergman and Kurosawa. The rest of the world likes schlock just like America. Let’s give them a shot at making more popcorn cinema.Neighbors (1981)
Neighbors is one of the forgotten bombs of the 1980s. What’s weird is that it was quite the black-eye for Belushi and Aykroyd in the 1990s. Yet, everyone now automatically thinks of the Zac Efron movie now.
Neighbors was meant to subvert the public image of Belushi and Aykroyd. By giving such frontal focus to the actors instead of the plot, the film was set up to fail. Yet, so many modern movies keep falling into this personality trap.
People ultimately don’t pay for anything other than story and spectacle. By neutering Belushi and making him into a passive douchebag, you take away the power of having Belushi. He’s an animal that can barely play it straight, while Aykroyd was the American straight man persona before Phil Hartman inherited the label.
It’s cutesy and doesn’t work. I’m just glad I waited for the Mill Creek release instead of buying the Disc on Demand that SONY was shilling on Amazon for ages.


