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GKIDS, the acclaimed producer and distributor of animation for adult and family audiences, announced that it has acquired the North American distribution rights for the animated feature ON-GAKU: OUR SOUND from director Kenji Iwaisawa, based on the manga by Hiroyuki Ohashi. In production for over seven years, ON-GAKU: OUR SOUND is composed of over 40,000 hand drawn frames, using the rotoscoping animation technique.

GKIDS Acquires North American Rights to Kenji Iwaisawa's ON-GAKU: OUR SOUND | To Release in 2020 2

The film won the Nelvana Grand Prize at the 2019 Ottawa International Animation Festival, and has been selected for the Contrechamp Competition section at the upcoming 2020 Annecy International Animation Film Festival. GKIDS will release the film in 2020.


SYNOPSIS

When you’re a bored teenager looking for thrills, sometimes the only thing you can turn to is rock ‘n roll. Having no skill, money, or even a full set of drums, a feared trio of high school delinquents nevertheless decide they are destined for musical glory in a quest to impress their only friend Aya, avoid a rival gang, and – most importantly – jam out.

on gaku our sound poster


Animated almost entirely by director Kenji Iwaisawa, and featuring a lead performance by Japanese alt-rock legend Shintaro Sakamoto, ON-GAKU: OUR SOUND brings its own sound and vision to the Hiroyuki Ohashi manga from which it was adapted. With pitch-perfect deadpan humor, the film presents a highly original take on the beloved slacker comedy: a lo-fi buddy film with a blaring musical finale that will leave you wanting an immediate encore.


Rodney Uhler of GKIDS and Emico Kawai of Nikkatsu Corporation negotiated the deal for North American rights. 


On-Gaku: Our Sound reminds us of our favorite indie comedies while remaining a wholly unique film,” said Rodney Uhler, GKIDS’ Director of Special Projects. “Kenji Iwaisawa’s remarkable hand-drawn work has created a film full of quotable lines, distinctive characters and infectious style. It remains one of the most fun viewing experiences we’ve had all year, and we can’t wait to share the film with audiences.”

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