[vc_row][vc_column][vc_custom_heading text=”Paul Rudd is the Scott Lang that we all deserve.” font_container=”tag:h2|text_align:left|color:%232a2a2a” use_theme_fonts=”yes”][vc_separator color=”black” align=”align_left” border_width=”3″][vc_video link=”https://youtu.be/8PNUiv-JLTI”][/vc_column][/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1444504741042{padding-top: 25px !important;}”][vc_column][vc_cta h2=”Scott Lang deserves your respect.” shape=”square” style=”flat” color=”black” add_button=”right” btn_title=”Click here for some Falcon action.” btn_style=”outline” btn_shape=”square” btn_color=”white” btn_size=”sm” btn_align=”center” btn_button_block=”true” btn_add_icon=”true” btn_link=”url:https%3A%2F%2Fyoutu.be%2FyVBK_i6LQZM||”][/vc_cta][vc_column_text]“Ant-Man” is a character that Marvel maligned for years, but is now getting his due. Too many fanboys online want to put the credit for this movie on different shoulders. Honestly, it’s an ensemble piece behind and in front of the camera. No element of this film works without something else feeding into its overall success. But, what it’s about?

Scott Lang is just getting out of San Quentin after staging a brilliant Robin Hood sting against a Silicon Valley corporation that was stealing money from clients. Now, he’s divorced and his kid is being looked after by his ex-wife and her cop fiancee. After being promised one last heist, Scott comes across Dr. Hank Pym and his secret Pym Particles. Can Scott be the hero that Pym needs to save the world?

“Ant-Man” works as a contemporary MCU update of Scott Lang’s debut in Marvel Premiere. Scott needs to find the money to see his daughter, so he turns to robbing Hank Pym. Throw in a rather amazing turn by Corey Stoll as the villain Darren Cross to round it out. Hell, I even spotted a few characters lifted from Robert Kirkman’s time on “Irredeemable Ant-Man”. What does all of this mean for a mixed audience at the multiplex?

Well, this is a film that changed rather prominent hands during its production. Peyton Reed came aboard the film as the new director and he did serviceable work. However, so much of the film’s success belongs to the blending of Edgar Wright’s original quirky ideas with Adam McKay & Paul Rudd’s understanding of what works between high concept and domestic comedy. You buy the science of Pym Particles just as much as Cassie’s unbridled hero worship of her father. Hell, I found myself captivated by Hank Pym’s Cold War flashbacks regarding his secret agent work with his wife.

I love how a film like this can stand as such a strong antithesis to the grimdark of the DC movies. While there was a slight moment of gratuitous on-screen saving, Scott Lang and the others have personality. You buy their hopes, their needs and the peculiar way in which they retell stories to friends. You cheer for them, you miss Ant-ony and you find yourself fearing the all-seeing eye of Baskin Robbins. “Civil War” can’t arrive soon enough.

Ultimately, Edgar Wright and his team leaving didn’t hurt the movie. This was an assembly line production that serve as a solid building point for Phase 3. It gives “Age of Ultron” weight in the background, while finding a way to bridge the street level with grand super heroics. But, I’m biased as Scott Lang has been one of my favorite Marvel characters since Hawkeye tried firing him off an arrow tip. Pick up the issue, it’s quite a memorable cover. But, watch the film first.

The Blu-Ray comes with 2D and 3D transfers of the film. While the 3D transfer is a post production convert, it mixes excellent depth and pop effects when shrinking and even visiting the Microverse. What makes this presentation so much better than the Age of Ultron Blu-Ray is that the color scheme doesn’t go muted and excessively dark. This helps, as the 3D push in terms of scale continues at the same pace even during the night exterior heavy finale. There is absolutely no drop off between the helicopter fight, crash landing in the suburbs and the fight in Cassie’s room.

The special features range from featurettes to deleted/extended scenes to a commentary. Paul Rudd shines throughout the various bloopers and even on the commentary track. Rudd’s love for the character and the property shines through at every moment and it marks a welcomed addition to the larger Marvel Cinematic Universe. I would’ve liked to have heard more from Adam McKay and Peyton Reed. But, I’ll take what I can get. This is one of the greatest Blu-Ray releases of the year.[/vc_column_text][vc_column_text]RELEASE DATE: 12/8/2015[/vc_column_text][/vc_column][/vc_row]

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