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DOBERMAN COP

DOBERMAN COP REVIEWED

“Doberman Cop” is Coogan’s Bluff by way of the Japanese Yakuza flick. Sonny Chiba plays a country rube cop that knows the local police are screw-ups. After a local girl is murdered, Chiba realizes that the body has been misidentified. By the time he figures out what’s going on, Chiba realizes that the cops are in on it. So, he gets a motorcycle gang to help him stick it to the man. I’m really trying to work up the nerve to go see Chiba at the end of the month.

But, how can you exist in the same room as a man who lived Golgo 13? Hell, this is a lesser Chiba flick and he still goes all Rainbow 6 and rappel stomps a kidnapper to death. The film plays at a tight 90 minutes and that’s good. If it was any longer, it would just be Chiba screaming into camera and stomping people to death. While American film fans are still in their Golden Harvest & Shaw Brothers love affairs, I still have mad respect for Toei. They grew up in the shadows of their bigger siblings, but the 1970s belonged to them.

Before I go, let’s get something straight. I call it a lesser Chiba, because there’s not that much that’s memorable. But, it’s still an insane fight flick that could put “The Raid” to shame. Naturally, this means you should pick it up.

SPECIAL FEATURES

  • New Video Appreciation
  • New video interviews
  • Trailer

A/V STATS

  • 2.35:1 1080p transfer
  • DTS-HD MONO

RELEASE DATE: 6/27/17

  • 94%
    Video - 94%
  • 94%
    Audio - 94%
  • 93%
    Supplemental Material - 93%
  • 93%
    Film Score - 93%
94%

The Plot Thus Far

Released just as the popularity of yakuza movies was waning in Japan, and as the country’s film industry was undergoing some fundamental shifts, Doberman Cop is a unique entry in the career of director Kinji Fukasaku (Battles Without Honor and Humanity, Cops vs Thugs), and reunited him with star Shinichi “Sonny” Chiba (The Street Fighter, Wolf Guy) in an American-style crime movie that mixes gunplay and pulp fiction with martial arts and lowbrow comedy to create one of their most entertaining films. Based on a popular manga by “Buronson” (creator of Fist of the North Star), Doberman Cop follows the fish-out-of-water adventures of Joji Kano (Chiba), a tough-as-nails police officer from Okinawa who arrives in Tokyo’s Kabuki-cho nightlife district to investigate the savage murder and mutilation of an island girl who had been working as a prostitute. Initially dismissed as a country bumpkin (complete with straw hat and live pig in tow!), Kano soon proves himself a more savvy detective than the local cops, and a tougher customer than anyone expected. As he probes deeper into the sleazy world of flesh-peddling, talent agency corruption and mob influence, Kano uncovers the shocking truth about the girl, her connection to a yakuza-turned-music manager (Hiroki Matsukata), and a savage serial killer who is burning women alive. Made to appeal both to the youth market with its biker gangs and popular music, as well as to old-time yakuza movie fans, Doberman Cop is an surprising oddity in Fukasaku’s career, his sole film adapted directly from a manga and never before released on video outside of Japan. Featuring Chiba at his charismatic best — channeling a Japanese Dirty Harry while doing all his own stunts — and Fukasaku at his most fun, deftly showcasing the combined talents of his “Piranha Army” stock company of actors and other regular players — Doberman Cop is a classic action comedy and a missing link in 1970’s Japanese cinema deserving of rediscovery.

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